Thursday, September 29, 2022
Quickfire: Ruby Colley
Talking all-time favourite albums and memorable musical encounters with the violinist, composer and sound artist inspired by folk, improv and minimalism
What are you listening to?
I’m absolutely loving Caroline Shaw’s work at the moment, but also Gazelle Twin, Laura Cannell, Kronos Quartet (always) and Esperanza Spalding.
Your all-time favourite albums?
Different albums come along at different times to make their permanent mark – OK Computer shaped my adolescence, while Different Trains by Steve Reich with the Kronos Quartet changed forever the way I understood composition and string music.
Musician you most admire?
Joni Mitchell – listening to her feels like talking to a dear friend in a bar. She’s helped me through various transitions in my life and I suspect she always will. She’s the best example of someone being fiercely themselves without compromise.
Memorable musical encounter?
I supported John Martyn years ago in Belfast, about a year before he died. I also received kora lessons from Sona Jobarteh during my master’s degree. She was incredible.
First album you ever bought?
The Return of the Space Cowboy by Jamiroquai. I was 12 at the time, I think.
What’s your hidden talent?
I teach yoga and occasionally make short films, either music videos or audio-visual work. I love it.
If you weren’t a musician, what would you be?
Probably a psychotherapist…
Read the review of Ruby Colley’s Overheard
This interview originally appeared in the October 2022 issue of Songlines. Never miss an issue – subscribe today