Reviews
Glasshouses
Keyboardist Lascelles was a founder member of the Global Village Trucking Company in the early 1970s, going on to become...
Reviewed by Martin Longley in issue: November/2017
Bleu de Lune
This Franco-Algerian bunch of latter-day troubadours was discovered busking on the streets of Paris. Their live shows are renowned and...
Reviewed by Mark Sampson in issue: June/2020
People of the Sun
Anthony Joseph was raised in Trinidad, shifted to London and has, over recent decades, made a name for himself as...
Reviewed by Garth Cartwright in issue: November/2018
Light Up the Dark
There is a stadium feel to The Outside Track's music. The pan-Celtic quintet (from Ireland, Scotland and Cape Breton) have...
Reviewed by Tim Woodall in issue: Jan/Feb/2016
$/He Who Feeds You…Owns You
In a terrific transition from the protest music of their last album, Tolika Mtoliki, The Brother Moves On's fourth record...
Reviewed by Diane Coetzer in issue: December/2022
Port
It's the energy and urgency of Forabandit that impresses the most. There's an unstoppable drive about these songs, performed by...
Reviewed by Simon Broughton in issue: July/2014
Dunrobin Place
It's hard not to sound like a broken record when talking about the albums of today's technically gifted, highly adept...
Reviewed by Matthew Milton in issue: March/2013
A Casual Invocation
George Hoyle, aka Cunning Folk, is a folklorist, storyteller, folk artist, magical ritualist, a former member of Gay Dad, Circulus,...
Reviewed by Tim Cumming in issue: December/2020
Joudour
Bekkas has been a Gnawa fusion artist for more than three decades, founding his Gnaoua Blues Band back in 1990,...
Reviewed by Tim Cumming in issue: December/2022
El Coro de Mi Gente
All the tracks of this album – Amparanoia's ninth – feature a big-name guest from the Hispanic music world, including...
Reviewed by Chris Moss in issue: November/2018
