Reviews

Kíla Alive

Kíla

Recorded live in various venues throughout 2016, this latest offering from the irrepressible Kíla captures the outfit in their natural...

Reviewed in issue June/2017

Pesme iz Jasenovca (Songs from Jasenovac)

Smilja Kostur

‘Emergency ethnomusicology,’ as they call it, is a set of urgent interventions needing to be taken to record or preserve...

Reviewed in issue June/2017

Unfolding the Roots

MANdolinMAN

Projects such as this, in which everyone is playing the same type of instrument, can often seem like a nerdy...

Reviewed in issue June/2017

Verging on the Perpendicular

Dan Walsh

Clawhammer banjo player, singer and songwriter Dan Walsh is a prolific performer and is becoming an ever more noticeable figure...

Reviewed in issue June/2017

IMLÉ

IMLÉ

Already making waves on the live circuit in their native Ireland, IMLÉ describe themselves as ‘a group of kindred spirits...

Reviewed in issue June/2017

Mutation

Monster Ceilidh Band

Newcastle-based Monster Ceilidh Band are much in the mould of Shooglenifty or Peatbog Faeries, with a rich fusion of ceilidh...

Reviewed in issue June/2017

Bound

Jenn & Laura-Beth

Based in Glasgow, Jenn Butterworth (guitar and voice) and Laura-Beth Salter (mandolin and voice) have become a ubiquitous presence on...

Reviewed in issue June/2017

Till April is Dead: A Garland of May

Lisa Knapp

In these garlands for May, Lisa Knapp sounds ardent and pure, driven by purpose and conviction. You can tell these...

Reviewed in issue June/2017

Almost Home

Keston Cobblers Club

The folk-pop troupe Keston Cobblers Club return here with their third album. Since they released Wildfire in 2015, these Kentish...

Reviewed in issue June/2017

Opus

Afenginn

While on tour in Australia, Finnish-born Copenhagen-based Kim Rafael Nyberg, Afenginn's frontman and composer, suffered an accident that left him...

Reviewed in issue June/2017