Reviews
Take Me to the Dance
Though Freshlyground is a pan-African outfit, with members from Mozambique and Zimbabwe, the bohemian Cape Town septet is undoubtedly a...
Reviewed in issue June/2013
Chameleons of the White Shadow
He might be still in his 20s, but Joseph Tawadros matches precociousness with prolificacy. Chameleons of the White Shadow is...
Reviewed in issue June/2013
O
This album prompts that age-old question: is simply singing in a foreign language enough to be world music? Or as...
Reviewed in issue June/2013
Xana
Having fun seems to be the main driving force behind Terryazoome. Whether this makes for a satisfying musical experience, however,...
Reviewed in issue June/2013
Blues from Elsewhere
Koby Israelite isn’t a man to be put in a box. Indeed, the Israeli-born, south London multi¬instrumentalist is a world...
Reviewed in issue June/2013
The Warp and the Weft
I have to confess that Wisaal’s description of themselves as an ‘Arabic-influenced world music ensemble based in Lansing, Michigan’ tripped...
Reviewed in issue June/2013
Amanké Dionti
Ablaye Cissoko & Volker Goetze
In the 60s everyone from Yehudi Menuhin to the Beatles wanted the sound of the Indian sitar on their records....
Reviewed in issue Apr/May/2013
Old World Tangos Vol 4: Istanbul Tango (1927-1953)
These fascinating Old World Tango collections explore various European and Oriental incarnations of the Argentinian form that spread outwards from...
Reviewed in issue Apr/May/2013
Face to Face
Film-composer and pianist Heffes, the man responsible for soundtracks such as The Last King of Scotland and Touching the Void,...
Reviewed in issue Apr/May/2013
Wedding Me Ware Wo
AJ Holmes & The Hackney Empire
A five-piece London crew with a taste for ponchos, fringes and clashing African textiles, AJ Holmes & The Hackney Empire...
Reviewed in issue Apr/May/2013
