How the anguished bass laments, taunted by the merciless, provoking accordion. But they forgive and make up, dancing around each...
Reviewed in issue Jan/Feb/2012
The notion of a collaboration between an Italian pianist and film composer and a Macedonian brass band, might inspire anticipation...
Reviewed in issue Jan/Feb/2012
Cači Vorba’s debut album won a German Record Critics' Award last year and was a Top of the World release...
Reviewed in issue Jan/Feb/2012
This is their first album, but Alan Kelly (piano accordion), Tola Custy (fiddle), Steph Geremia (flute and vocals) and Tony...
Reviewed in issue Jan/Feb/2012
Things gets off to a compelling start with ominous double bass, loose splashy drums, and a snatch of film noir-ish...
Reviewed in issue Jan/Feb/2012
The members of Norwegian trio Tindra have an enormous sense of fun and a real passion for their own cultural...
Reviewed in issue Jan/Feb/2012
When you think about it, ten years isn’t that long. But it’s been arguably enough time for Kátia Guerreiro to...
Reviewed in issue Jan/Feb/2012
Cristina Branco is a conceptualist. Each of her albums, ever since 2003's debut Sensus, approaches fado according to a vision,...
Reviewed in issue Nov/Dec/2011
Dust, the Faeries’ sixth studio release, is a mellower affair than we'd traditionally expect from the Skye-based boys. Well-known and...
Reviewed in issue Nov/Dec/2011
Perhaps in response to endless gags about their instrument being anti-social — ‘a gentleman is a man who can play...
Reviewed in issue Nov/Dec/2011
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