Reviews
Adelphi Has To Fly
Having been a BBC Young Folk Awards finalist in 2009, Lucy Ward has emerged from the Derby folk club circuit...
Reviewed in issue Aug/Sep/2011
Pencaitland
The seven-strong folk collective from Edinburgh who have made their name blending Celtic folk songs with the old¬time string band...
Reviewed in issue Aug/Sep/2011
Alento
The Portuguese accordion quartet Danças Ocultas describe their instrument of choice as a ‘dream machine’. Ever since they got together...
Reviewed in issue Aug/Sep/2011
Reinas del Matute
Las Migas are a rare find: a group of four Barcelona-based women from Catalonia, Andalusia, France and Germany, creating stunningly...
Reviewed in issue Aug/Sep/2011
Tamburising: Lost Music of the Balkans
The tamburica, which comes in various shapes and sizes that may resemble a guitar, a long-necked mandolin, or a bass...
Reviewed in issue Aug/Sep/2011
Porta do Coraçao
Maybe you’ve heard of him through Rabih Abou-Khalil and the brilliant Em Português – a collaboration on which the Lebanese...
Reviewed in issue Aug/Sep/2011
Straum, Stille
Recorded by the Norwegian mini¬malist chamber-folk trio in Oslo’s Sofien¬berg Church, you can pretty much get the hang of Straum,...
Reviewed in issue Aug/Sep/2011
Ceilidh
Ceilidh, the third album from the self¬proclaimed enfants terribles of the English folk-dance scene, is a curious beast. Opening with...
Reviewed in issue Aug/Sep/2011
So Slowly Slowly Got She Up
Drones, samples, feedback, accordion and the wavering tension of her voice on a set of great traditional material make Elle...
Reviewed in issue Aug/Sep/2011
Els Ignorants
Three of the five musicians in the Barcelona-based Rumba Vella are part of Rumbamazigha (reviewed in #77), a project that...
Reviewed in issue Aug/Sep/2011
