Reviews
Amplexo
What does it currently take to stand out from the massive crowd of new fadistas that keeps growing by the...
Reviewed in issue April/2022
A Drop for Neptune
A Drop for Neptune marks the debut album for Glasgow based six-piece TRIP, and it’s an album steeped in the...
Reviewed in issue April/2022
Zay Freylekh!
The Russian klezmer band Dobranotch (Goodnight) are like a retro homage to the larger bands of the American klezmer revival...
Reviewed in issue April/2022
Ingen Mere Gråter
There’s a subgenre called ‘dream pop’ that covers bands from Cocteau Twins to Beach House. Ævestaden’s music could be described as...
Reviewed in issue April/2022
After the City
The Brighton band’s third album is a smokily atmospheric folk noir not a million miles from the fearsome futurology of...
Reviewed in issue April/2022
Yonder Green Grove
The four women who make up The Norfolk Broads first met in the alto section of the Trad Academy Sea...
Reviewed in issue April/2022
Danças de Porto de Mós
Danças de Porto de Mós tells only half the story. The first album by Aire collects 16 new renditions of...
Reviewed in issue April/2022
Drawn to the Light
Fiddle player Oli Wilson-Dickson and guitarist Dylan Fowler have a lengthy history of working together, sharing projects including The Devil’s...
Reviewed in issue April/2022
Both in a Tune
Two giants of English folk from different generations come together with an album of tunes that follows on from their...
Reviewed in issue April/2022
Sita
A formidable talent, an enfant prodige of the Salento music scene, Alessia Tondo, the female voice of the marvellous Canzoniere...
Reviewed in issue March/2022
