Reviews
Immortal Tradition
We’re only ever a step or two away from the mosh pit as Finnish five-piece Ritva Nero joyfully reveal in...
Reviewed in issue March/2022
The Witching Tale
I’m afraid I was all too ready to dismiss this eponymous debut album as just so much airy-fairy hokum. The...
Reviewed in issue January/February/2022
Magnificent
This latest album from Swiss jazz guitarist Nicolas Meier is a collection of originals and improvisations on themes inspired by...
Reviewed in issue January/February/2022
Silver Lining
Kohesia Ensemble is a mix of Persian and Western musicians whom Australian bassist Kate Pass has brought together, and this...
Reviewed in issue January/February/2022
Fleuves de l’Âme
This debut album from Tunisian percussionist Houeida Hedfi translates from the French as ‘Rivers of the Soul’, and it’s a...
Reviewed in issue January/February/2022
Supermoon
The Israeli-born Itai Kriss has spent two decades lighting up New York’s vibrant jazz scene with his flute playing, working...
Reviewed in issue January/February/2022
Ke Haber
Israeli artist ‘Nani’ Noam Vazana sings and writes in Ladino, a Romance language spoken by Spanish Jews in the 15th...
Reviewed in issue January/February/2022
Desert Equations: Azax Attra
Sussan Deyhim & Richard Horowitz
Back in 1986, Iranian singer Sussan Deyhim was in New York, working with electronics and sampling multi-instrumentalist Richard Horowitz. They...
Reviewed in issue January/February/2022
Freedom to Roam The Rhythms of Migration
What are ‘the rhythms of migration’ – are they natural, forced, seasonal? And how do you evoke or embody them...
Reviewed in issue January/February/2022
