Reviews
Mo Ashibi Magic: Live in Tokyo 1999
Takashi Hirayasu & Bob Brozman
Okinawan singer, guitarist and sanshin player Takashi Hirayasu and world music nomad Bob Brozman came together in 1999 to record...
Reviewed in issue Aug/Sep/2021
Timeline
This is an innovative recording from a Canadian husband-and-wife duo who quirkily insist on writing their name in lower case....
Reviewed in issue Aug/Sep/2021
Helsinki-Cotonou Ensemble
It took the Helsinki-Cotonou Ensemble until their fifth album and tenth year to go eponymous. It takes time to know...
Reviewed in issue Aug/Sep/2021
We’re OK. But We’re Lost Anyway
Orchestre Tout Puissant Marcel Duchamp
Is this title an exercise in assured bravado and chutzpah for this Geneva-based band’s fifth album, or is it a...
Reviewed in issue Aug/Sep/2021
‘Sai-thaiñ ki Sur
The connection between Wales and the Khasi Hills of north-east India may not be immediately obvious, but it’s the key...
Reviewed in issue Aug/Sep/2021
An Angel’s Healing
Being unkind, one might suggest that Michael Panteli should change his moniker from Muziq to Muzaq. The album is commendably...
Reviewed in issue Aug/Sep/2021
Once in a Blue Moon
Luciano Biondini & Klaus Falschlunger
There’s such a tremendous energy, vibrancy and immediacy in this new global fusion album, Once in a Blue Moon. Austrian...
Reviewed in issue Aug/Sep/2021
Milestone
Perhaps better known as bassist with Kate Rusby and Treacherous Orchestra, the impressive Milestone marks Lyall’s second release as a...
Reviewed in issue Aug/Sep/2021
Sukotherapy
Maria Pomianowska is the leader of the revival of the suka, or knee-fiddle, in Poland. It’s played like the Cretan...
Reviewed in issue Aug/Sep/2021
Le Bonhomme Sept Heures: The Bonesetter
Grosse Isle, the island in the St Lawrence River in Québec, was famously an immigration/quarantine depot for Irish immigrants escaping...
Reviewed in issue Aug/Sep/2021
