Author: Lucy Hallam
View album and artist detailsArtist/band: |
Ojo Balingo |
Label: |
BBE Records |
Magazine Review Date: |
Aug/Sep/2019 |
Originally released on vinyl in 1985 by Nigerian label Tabansi Records, the rarity of this reissue will no doubt send those seeking the exclusive, elusive, vintage recordings of the era into archival heaven; a rare pressing of a mysterious unnamed jùjú band, complete with original album artwork – this record could sell itself. But my scepticism of world music marketing and reception shouldn't detract from the undeniable quality of the music itself, which is more than deserving of the acclaim it will surely receive.
What were initially two long recordings have been split into eight shorter ones for this release – a distinction that seems superfluous, as the two recordings really come into their own on being heard in their entirety. The album exposes some wonderfully sensitive stylistic variation, with side one showcasing classic jùjú style, while side two explores a more experimental, Afrobeat direction, playing with funk breaks and psychedelic solos. Audible throughout are the lively tones of the talking drum, which separates jùjú music from its cousin, highlife, and injects vivacity into the rolling rhythms. The ensemble also features Hawaiian guitar, lending the music a laid-back ambience. This album is a real gem from the jùjú archives, and well worth a listen.
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