Originally released in 1976, this album by Indian sitarist Shankar would later find cult popularity in the 90s UK rare...
Reviewed by Charlie Cawood in issue: February/March/2025
It’s rare, as a reviewer, to be sent an album you’ll have on repeat. A Dance Sweetly Played is such...
Reviewed by Jane Cornwell in issue: February/March/2025
How can a sense of beauty be found amid fear and cruelty? Saba Alizadeh, on his third album now, continues...
Reviewed by Tom Newell in issue: February/March/2025
WSPAK is Polish duo Adrianna (Ada) Kafel-Woźniak and Aleksandra (Ola) Pura-Cidyło from Białystok in the north-east of the country. They...
Reviewed by Simon Broughton in issue: February/March/2025
Richard Dawson’s ability to squeeze complex multi-character storytelling into stripped-back folk songs has seen the Newcastle native earn the title...
Reviewed by Olivia Cheves in issue: February/March/2025
With Ponda, Cameroonian pianist and singer Patrick Bebey delivers a record that seamlessly fuses jazz, African tradition and Western folk...
Reviewed by Andrew Taylor-Dawson in issue: February/March/2025
Miramar – Reinaldo ‘Rei’ Alvarez, Laura Ann Singh and Marlysse Simmons – are a Puerto Rican-US trio specialising in bolero,...
Reviewed by Huw Hennessy in issue: February/March/2025
Mdou Moctar, dubbed ‘the Hendrix of the Sahara’ for his blistering electric guitar riffs, has, on this acoustic companion piece...
Reviewed by Russell Higham in issue: February/March/2025
The title is simple – Folk Tunes for Double Bass – but the concept is not. For solo double bass…...
Reviewed by Fiona Talkington in issue: February/March/2025
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