Asmara

Jazz trumpeter Hermon Mehari is a Kansas City native based in Paris, but his third album, Asmara, is a reflection of his father's land, Eritrea. Mehari has only visited once, when he was five, but memories of that time, of the music and culture of his childhood home, infuse this touching work.

The overwhelming vibe of Asmara is one of freshness. It has something of a spring morning to it. Mehari's trumpet has such an airy tone that I wouldn't be surprised if it was actually a flugelhorn, and his ensemble specialises in beautifully light washes of sound without forfeiting passion or musicality – piano and vibraphone player Peter Schlamb gives a particularly superlative performance. The Eritrean influences can be felt throughout, but they’re subtle, like hazy memories conjured from a pentatonic passage within a flowing solo or a slightly staggered Red Sea rhythm guiding a composition. It's only during the two guest turns by Eritrean singer Faytinga that those vapours coalesce into sweet raindrops of nostalgia. Don't be mistaken, Asmara is a jazz record to its core, and a very solid one at that: a thoughtful exploration of roots and diaspora identity.