Bark Out Thunder Roar Out Lightning

Chief Xian aTunde Adjuah (formerly Christian Scott) has foregone his usual jazz trumpet, relying instead on his amazing voice and invented instruments to explore his heritage as an Afro-New Orleanian, back through the Afro-Indigenous Maroons and to the ultimate roots, in Africa.

This is an album of two shades, and two complementary vibes. Some of the songs on Bark Out Thunder Roar Out Lightning are sounded with voice and percussion only, the most reflective of the traditional Afro-New Orleanian music. These songs resonate with Adjuah’s pride in heritage and lineage, filled with remembrance and joyous reverence of the strength of the elders who came before. Other songs are darker and funkier, their sound based around Chief Adjuah’s Bow, an instrument of his own design that resembles a minimalist electric kora or kamalengoni. These tracks are heavier, channelling centuries of righteous anger against still on-going subjugation. The epitome is the title track and centrepiece of the album, a 15-minute Gil Scott-Heron-like poetic meditation on Black liberation and white supremacy.

Bark Out Thunder Roar Out Lightning is a powerful album of African music, culture, language and religion, filtered through generations of ancestral memory, obscured and revived over and over into something that could only come from 21st-century New Orleans.