Black Smoke

Born on remote Groote Eylandt, the largest island in the Gulf of Carpentaria off coastal Arnhem Land, Emily Wurramara's family moved to urban Brisbane, Queensland, when she was just six. But a reconnection with her Groote homeland and heritage was sparked when she returned for a funeral, and again heard traditional singing in the local Anandilyakwa language. Now aged 20, her own musical career is looking exceptionally bright.

The opening title-track of this debut is sung in English, revealing Wurramara's fresh gentle voice, somewhat reminiscent of an early Suzanne Vega. Backing herself on acoustic guitar, with minimalist didgeridoo and clap sticks, and beautiful cello accompaniment from Helen Mountfort, she relates a simple story of gathering together under starry skies and letting go.

Switching to Anandilyakwa lyrics, Wurramara picks up her ukulele for ‘Ementha-Papaguneray (Turtle Song)’, while ‘Ngerraberrakernama (Wake Up)’ is a bilingual tune, written with former Powderfinger frontman Bernard Fanning. ‘Stomping Ground’ speaks of indigenous pride, its ancient-modern feel enhanced by young rapper Yarum Sandy. Combining water and island sky, the quiet piano tune ‘Blue Moon, Black Sea’, is a fitting closing to this impressive first recording, warmly produced by David Bridie.