Author: James Roriston
View album and artist detailsArtist/band: |
Anne-Mari Kivimäki & Palomylly |
Label: |
Nordic Notes |
Magazine Review Date: |
March/2020 |
This is the fourth release of this Finnish trio of multi-instrumentalists comprised of Anne-Mari Kivimäki on notka (accordion), vocals and stomp box, Ville Rauhala on double bass, vocals, guitar and percussion and Pekko Käppi on fiddle, vocals and bowed lyre. A mix of songs and instrumental tracks, this album goes from minimalist, dance-like tracks with catchy, revolving melodies to more haunting, wispy musical lines such as in the Kehtolaulu Suite.
Listeners will enjoy the eclectic approach to this album, with a pulsing, minimalist interplay throughout that's reminiscent of Steve Reich's music. There's also a beautiful poetry to the names of tracks, such as ‘Surullinen Kirje’ (Sad Letter) – you feel like you're slowly journeying through an emotive spectrum of thoughts and refections throughout. The playing is subtle and nuanced, with Anne-Mari Kivimämaki producing a warm, at times almost hypnotic tone in both her singing and accordion playing. There is equal sensitivity and expression in the string playing of Käppi and Rauhala. Sit back and let the sustained harmonic beaut of the four-part Kehtolaulu Suite, which finishes the album, wash over you. A stunning end to an album of surprises and introspection.
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