Author: Jim Hickson
View album and artist detailsArtist/band: |
Khamira |
Label: |
Recordiau Bopa |
Magazine Review Date: |
June/2017 |
Khamira is a coming together of Welsh folk and Hindustani classical styles through the unifying medium of jazz. Seven musicians are involved: trumpet, piano, bass and drums making up the Welsh contingent, while guitar, sarangi (bowed lute) and tabla are provided by the Indian section. All players are well versed in jazz; however, on this debut album, Khamira's various styles seem to co-exist peacefully, rather than fuse. There are portions of jazz followed by sections of Indian music, but they very rarely meld together in any significant way. ‘Dance of Nothingness’ is probably where the styles are best intertwined, and as such, it's the most convincing track of the bunch. The Welsh element is the most elusive: most of the pieces are based on Welsh folk tunes, but that can only be clearly heard in one track, ‘Y Gwydd’.
There are moments that stand out. The duet between Suhail Yusuf Khan's tender vocals and Tomos Williams’ Miles-style trumpet that is ‘Ffarwel i Gymru/Morey Nain’ is a delight, and there are individual moments of brilliance in the solos across the pieces. This is a good album with some interesting ideas; a little more musical cohesion wouldn't go amiss, though.
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