Author: Charlie Cawood
View album and artist detailsArtist/band: |
Hyelim Kim |
Label: |
Universal |
Magazine Review Date: |
Jan/Feb/2014 |
Hyelim Kim is one of Europe’s leading proponents of the taegum, a transverse bamboo flute that serves as a cornerstone of Korean traditional music. Over the past few years, Kim has made it her aim not only to expand the capabilities and repertoire of her instrument, but also to open up a sonic dialogue with musicians of all disciplines. It is this theme of communication and collaboration that permeates Nim, her debut solo album. Across seven pieces, Hyelim Kim demonstrates that she is equally comfortable with traditional music (known as taegum sanjo and accompanied by the changgo hourglass drum), contemporary classical works and modern jazz improvisation. The two contemporary compositions, both composed by Taesong Kim, fully utilise the vast textural capabilities of the taegum, as traditional melodies are mutated into bold new forms.
There are two improvised duets: the first with Australian percussionist Simon Barker, the second with noted shakuhachi player Kiku Day. Both are masterclasses in musical sensitivity and use of space. The album ends with ‘Pochagi’, Kim’s own composition that features striking use of electronically manipulated sound. It is with this piece that Kim finds a voice that is all her own, and establishes herself as a uniquely versatile musician.
Start your journey and discover the very best music from around the world.
Subscribe