Ora

It's taken New Zealand Maori outfit Wai a full ten years to record a follow-up album to their groundbreaking 2000 debut 100%, but it’ been worth the wait. A self-sufficient Wellington duo, made up of singer Mina Ripia (pictured) and her tech-minded partner Maaka (Phat) McGregor, the pair handle most of the music themselves, including production, bringing in guests as needed.

Sung entirely in Te Reo (Maori language), the album is a strong reflection of the cultural pride and revitalisation that has been occurring in Aotearoa in recent years. Ora means ‘life’ and many of the topics addressed reflect the title: there are songs acknowledging ancestors, traditional sea rights, stars and planets, as well as karakia (prayers) to the goddesses of rain, food, childbirth and other life-giving properties. There are also references to the traditional crafts of carving and weaving.

McGregor's imaginative production employs programmed beats and basslines that are thoroughly 21st century, but rooted in traditional poi rhythms that mimic breathing and heartbeat. Mina's vocals are pristine and powerful, evoking the eloquent cadence of formal Maori oratory, with flawless harmonising from several featured vocalists. Fat Freddy's Drop keyboardist Iain Gordon adds extra synth layers on several tracks, while ex-Drop saxman Warren (Little Bushman) Maxwell lends vocals on the gorgeous ‘He Tapu Koe’. The closing ‘Faifai Malie’ melds Maori and Samoan lyrics, featuring the deep Pacific voice of Pati Umaga. While many musicians attempt to unite indigenous traditions with modern technologies, few succeed at it as well as Wai. Truly exceptional.