Project Masnavi

Closely following their acclaimed albums Nim Dong (2018) and Afternoon Tea at Six (2020), Sydney-based Persian-jazz group Eishan Ensemble reconfigure for their third album in an attempt towards greater sonic diversity. Led by Iranian tar virtuoso and composer Hamed Sadeghi, the regular line-up of saxophone, double bass and percussion is bolstered by the inclusion of guest musicians Marcello Maio on accordion, and drummer Alex Inman-Hislop.

Taking inspiration from the Masnavi – the revered collection of poetry by Persian mystic Rumi – this new set was conceived during the 2020 lockdown, and eventually premiered at the Sydney Opera House in May 2021. ‘Alfak’ is a slow-burning opener, beginning with a lengthy tar solo, before expanding into a brooding double bass and drum groove, the melody only revealing itself in the final third of the piece. The playing of long-time saxophonist Michael Avgenicos is a highlight as always, bridging the divide between the sonority of jazz and the melismatic subtleties of Persian music. ‘Fate is Contradictory’ showcases the increased ambition present in Eishan’s newer compositions, with the addition of accordion providing Sadeghi’s tunes with a harmonic dimension absent on previous recordings. ‘Lost in Flight’ is a gorgeously contemplative group improvisation, with Maximillian Alduca’s bowed bass drones underscoring a gradually evolving collective meditation, which seemingly evokes Eishan’s fellow Australians The Necks. ‘Not Really’ and ‘Invisible Tarab’ close the album in classic Eishan fashion, with tightly composed melodies and dazzling interplay, concluding an album that points optimistically to the ensemble’s future direction.