The Soul of the Congo – Treasures of the Ngoma Label (1948-1963)

In the last ten years, Belgian record label Planet Ilunga has been on a mission to share a remarkable treasure trove of music from the 1950s and 60s in the two Congos. Their most recent offering takes us on a sonic journey back in time, shedding light on the earlier generation of musicians who laid the foundation for legendary Congolese rumba artists like Docteur Nico and Le Grand Kallé.

The Ngoma label, named after the Kikongo word for drum, was one of the ‘big five’ post-WWII Congolese record labels. This collection is a portal to an era when both the Congos were still under colonial rule, teetering on the brink of independence, and through the early years of freedom. The 69 tracks offer just a glimpse of the label’s over 4,500 recordings (many now lost), featuring hidden gems that showcase the stylistic diversity of Ngoma’s catalogue. From the buzzing likembe tones in Mundanda Antoine & Groupe Rythmique Ngoma’s ‘Mwana Aboyi Mama’ to the traditional flutes and chants of Groupe de Flûtistes Bayeke Lulua Jazz’ ‘Fulukayi, Tshisuisa’, and from the distinctly Cuban sounds of Charles Lembe & His Orchestra’s ‘Suavecito Mambo’ to the melodic slide-guitar in De Saïo’s ‘Demowe’, not to mention a ton of vibrant Congolese brass (try Antoine Kasongo’s ‘Leonie Bernadette’).

Throughout the box set, the house bands shine brightly, but their recurring signature sound can occasionally make the collection feel somewhat repetitive. For seasoned connoisseurs, this offers a wealth of unearthed treasures, but for those new to the region’s music, a more selective starting point might be best. Nonetheless, these recordings serve as invaluable cultural artefacts, restoring the voices and melodies of Congolese artists who played a pivotal role in shaping the rich musical heritage of the Congos.