Reviews
The Four Pillars
This multimedia project first began to take shape when musician, composer, producer and arranger Mike Vass, formerly with Malinky and...
Reviewed by Kevin Bourke in issue: October/2019
Back to Peru Vol II
Any illusion that it was only the US, UK and parts of Europe that properly embraced rock in the 1960s...
Reviewed by Jan Fairley in issue: Apr/May/2010
Retratos Cinéticos
The appeal of the OrBlua trio rests mainly in their rawness. Retratos Cinéticos sounds like its recordings were merely an...
Reviewed by GonÇalo Frota in issue: October/2015
Geminus
In a way you could say Mathis spent more than 20 years making this album – even though he eventually...
Reviewed by Nigel Williamson in issue: June/2021
Parasol Peak
Since popularising the hang drum – a melodic percussion instrument, and cousin to the steel pan – at the turn...
Reviewed by Alex De Lacey in issue: December/2018
The Tiree Songbook
Inspired by the Na Bàird Thirisdeach, an early 20th-century collection of songs and poems from the island of Tiree, this...
Reviewed by Billy Rough in issue: May/2018
The Tin Fiddle
Your ears could be forgiven for presuming there was at least one percussionist, guitarist or mandolin player on this album....
Reviewed by Matt Milton in issue: August/2017
Tŷ Ein Tadau
This is a stunning debut of chamber folk from Aneirin Jones on fiddle, cellist, bassist and harmonium player Jordan Price...
Reviewed by Tim Cumming in issue: April/2019
Let Them Speak
This is an album recorded by 18 musicians, separated by 18,000km. The Umoza Music Project is a joint Malawian and...
Reviewed by Jim Hickson in issue: December/2015
