Reviews
Tractor Beam
The debut album featuring fiddler Rosie Newton and banjoist Richie Stearns was originally issued in the US in 2013, but...
Reviewed by Doug Deloach in issue: November/2016
Across the Divide
Constant international touring for the last decade, including a stint opening for The Jools Holland Orchestra, as well as playing...
Reviewed by Kevin Bourke in issue: March/2016
Ile de la Réunion: Maloya
Maloya is a style of music unique to La Réunion in the Indian Ocean. It is the secular version of...
Reviewed by Martin Sinnock in issue: July/2017
I’ve Always Kept a Unicorn: The Acoustic Sandy Denny
Mick Houghton and Andrew Blatt deserve much credit for conceiving and compiling this set – and for unearthing previously unheard...
Reviewed by Tim Cumming in issue: Aug/Sep/2016
Live in Vienna
The death of The Dubliners’ ‘Banjo’ Barney McKenna in 2012 saw the surviving band members – Sean Cannon, Eamonn Campbell...
Reviewed by Michael Quinn in issue: July/2014
Tango de Ruptura
Buenos Aires is full of talented youn g musicians and in recent years, on the back of a rising wave...
Reviewed by Chris Moss in issue: March/2010
The Outlander
On his first album, Sweet England, Jim Moray included ‘The Seeds of Love’, the first folk song Cecil Sharp collected....
Reviewed by Julian May in issue: December/2019
You Are Free
Perhaps best known as one third of the mighty Talisk, Graeme Armstrong’s debut solo album presents the singer-songwriter as a...
Reviewed by Billy Rough in issue: July/2022
Titina Canta B Leza
With reissues of long-deleted Cape Verdean albums being about as rare as Cape Verdean cloud bursts, Astral Music in conjunction...
Reviewed by Brendon Griffin in issue: Jan/Feb/2014
Can You Feel It?
Last year the excellent Canadian crate-digging label We Are Busy Bodies reissued Armitage Road, a 1970 album by South African...
Reviewed by Nigel Williamson in issue: April/2021
