Formed in London in 2010 by composer/bandleader Mak Murtić and Maja Rivić, Mimika Orchestra are an avant-garde jazz-world ensemble now...
Reviewed by Tim Cumming in issue: February/March/2026
Oberkas Travel are as close to a supergroup as one can get. A quartet of seasoned members of Warsaw’s alternative...
Reviewed by Michał Wieczorek in issue: February/March/2026
A collaboration between the veteran Malian percussionist Sidiki Camara and Norwegian producer Tore Gjedrem, Djembe Tekno showcases a distinctive form...
Reviewed by Olivia Cheves in issue: February/March/2026
Symphony of Self represents an incandescent display of talent and ambition from pipa maestra Gao Hong. Hong composes, arranges and...
Reviewed by Liam Izod in issue: February/March/2026
While Dutch outfit YĪN YĪN first made their name through an amalgam of psychedelic rock and Southeast Asian styles, their...
Reviewed by Paul Bowler in issue: February/March/2026
Presumably no relation to either Vicente or Liza, the avant-dub prankster is back, following 2024’s acclaimed Perpetual Musket. With the...
Reviewed by Mark Sampson in issue: February/March/2026
Recorded in late-80s Rwanda and self-released on cassette, Inzovu Y’Imirindi is a mesmerising rediscovery. Bizimungu Dieudonne and his wife, Agnes...
Reviewed by Joe Mulhall in issue: January/2026
Bergamo-based Buck Curran spent ages tracking down a Stefan Sobell guitar he sold years back and has celebrated the reunion...
Reviewed by Glenn Kimpton in issue: January/2026
Neda Mohamadpour, Mehdi Rostami, Isa Farah, Dhaivat Jani
Link Music Lab promotes Persian traditional music with experimental releases that explore fusions with other traditions and cross-cultural collaborations. In...
Reviewed by Nathaniel Handy in issue: January/2026
It proves very difficult to tell what is electronic and what isn’t on La Tène’s cavernous and insistent new record,...
Reviewed by Rosie Esther Solomon in issue: January/2026
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