The latest compilation from Seattle-based Sublime Frequencies is a dizzying double whammy of obscurities and information. Documenting the 60s rock...
Reviewed by Chris Menist in issue: June/2013
In her salad days as the young pretender, Mariza was as embarrassed as she was flattered by the comparison with...
Reviewed by Nigel Williamson in issue: January/2021
Bongo Joe is a Geneva-based record label, music shop, café-bar, mission statement and musical philosophy. The new project Yalla Miku...
Reviewed by Jim Hickson in issue: May/2023
How global do you like to take your grooves? Mexican DJ Danochilango and Colombian singer and musician Mambe style themselves...
Reviewed by Chris Moss in issue: December/2019
Angolan singer Bonga made his first album in 1972. Now, at the age of 74, his 30th album is yet...
Reviewed by Martin Sinnock in issue: Jan/Feb/2017
Tri Nguyen's mission is to bring the đàn tranh (zither) to new audiences by combining Vietnamese traditions with Western classical...
Reviewed by Barley Norton in issue: May/2019
The honorific Dagar is synonym¬ous with dhrupad, one of the world’s oldest classical vocal genres. Zia Mohiuddin, who died in...
Reviewed by Jameela Siddiqi in issue: Jan/Feb/2012
Hailing from Bahia, Brazil, but brought to us by a Swedish record label, the singer-songwriter Ian Lasserre plies determinedly unassuming,...
Reviewed by Brendon Griffin in issue: August/2017
Ba Balance are Danish blues-rock guitarist Preben Carlsen and West African percussionist Sal Dibba, and the title of this hard-rocking...
Reviewed by Nigel Williamson in issue: April/2021
Argentinian folk song has many modes reflecting the topographies and cultures whence it springs. The music of the French-based Caronni...
Reviewed by Chris Moss in issue: June/2019
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