Reviews
Echo in the Valley
Although they've been married since 2009, Béla Fleck, the world's premier banjo player, and clawhammer banjo player and singer Abigail...
Reviewed by Nigel Williamson in issue: Jan/Feb/2018
Sketches of Africa
David Harrington of the Kronos Quartet once speculated on what Beethoven’s works might have sounded like if he’d been able...
Reviewed by Nigel Williamson in issue: Jan/Feb/2013
Folk Music from Transylvania, Then and Now
The revival of authentic Transylvanian music was central to the Hungarian táncház (dance house) movement in the 1980s and 90s....
Reviewed by Simon Broughton in issue: October/2018
Kiriki Club
A Birmingham-based sextet with backgrounds as various as clowning, dance, theatre and live art (hence a name inspired by Les...
Reviewed by Kevin Bourke in issue: April/2021
¡Gózalo! Bugalú Tropical Vol 4
Some four years after the first volume of Vampisoul’s admirable series was released, here comes Volume 4 to disavow us...
Reviewed by Mark Sampson in issue: Jan/Feb/2012
Hammer Down
The SteelDrivers definitely put the hammer down on their latest album, which captures the Nashville-based ensemble’s pitch-perfect blend of country,...
Reviewed by Doug Deloach in issue: June/2013
What We Leave Behind
Produced in Nashville by fellow Canadian songwriter and producer Gordie Sampson, the follow-up to the splendid debut album Secret Victory...
Reviewed by Kevin Bourke in issue: November/2017
Souvenance
You would expect the events of late 2010 that sparked the Arab Spring to have had a profound effect on...
Reviewed by Bill Badley in issue: Apr/May/2015
Masterpieces for Sarod and Violin
Amjad Ali Khan, Elmira Darvarova, Amaan Ali Bangash, Ayaan Ali Bangash
There’s a long tradition of Indian-meets Western-music albums, but this is one of the best. India’s premiere sarod player, Amjad...
Reviewed by Simon Broughton in issue: January/February/2022
Inganekwane
In both senses of the term, Johannesburg’s Zoë Modiga is a new world star. Her ancient-to-future energy swirls from a...
Reviewed by Jane Cornwell in issue: October/2020
