Reviews
Nakibembe Embaire Group
Nakibembe is a small village in Uganda's Busoga Kingdom, where the residents preserve the local tradition of playing and dancing...
Reviewed by Tom Newell in issue: August/September/2023
Jolof
An album of complexity, sensitivity and smarts, Jolof takes its name from the kingdom that spanned West Africa – the...
Reviewed by Jane Cornwell in issue: August/September/2023
The Ones Ahead
As he entered his seventies, the classically-trained Canada-based singer/composer Glenn-Copeland was lapsing into dignified retirement. Then he made public his...
Reviewed by Nigel Williamson in issue: August/September/2023
Kolkhozoy Traktor
If you’re a fan of the great festival-pleasing, throat-singing Yat-Kha, then this should be on your radar. Shono's founder, Alexander...
Reviewed by Fiona Talkington in issue: August/September/2023
Stories of Stonia
Singer Mari Kalkun is a native speaker of Võro, an endangered South Estonian language, not easy even for speakers of...
Reviewed by Kim Burton in issue: August/September/2023
Hamt Zamin Hümüs
The morin khuur or two-stringed horsehead fiddle is pretty much the only traditional Mongolian instrument on Hamt Zamin Hümüs. NaraBara...
Reviewed by Michael Ormiston in issue: August/September/2023
Sonero de Oriente
Arturo Jorge y Su Cuarteto Tradición
If you’re a fan of Buena Vista Social Club, whose eponymous 1997 album was a global sensation, you’ll warm to...
Reviewed by Huw Hennessy in issue: October/2023
Traverse
Laura Risk, Nicholas Williams & Rachel Aucoin
Californian Laura Risk now resides in Montreal and has been playing Québécois fiddle for decades. Traverse is her first solo...
Reviewed by Glenn Kimpton in issue: October/2023
The Beautiful Road
Rónán Ó Snodaigh & Myles O’Reilly
Kíla frontman Rónán Ó Snodaigh and fellow musician and film-maker Myles O’Reilly's first outing together on disc, 2021's Tá Go...
Reviewed by Michael Quinn in issue: October/2023
