Tyler Childers’ sixth studio album, Rustin’ in the Rain,’ is one of the best and brightest indie-country releases in recent...
Reviewed by Doug Deloach in issue: December/2023
The electronica-ethnic music dialogue is at least half a century old. The most inspiring aspect of the current scene is...
Reviewed by Chris Moss in issue: December/2023
Sahra Halgan is a hero of Somaliland’s music. At home, in the unrecognised Somali state’s capital, Hargeisa, she runs the...
Reviewed by Jim Hickson in issue: May/2024
Melo, a young Brazilian composer, guitarist and singer, with his band O Ministério da Consciência, presents his take on not...
Reviewed by Andy Cumming in issue: May/2024
‘‘Ohana’ is the Hawaiian word for ‘family’. And slack key is a form of tuning and playing guitar developed in...
Reviewed by Jeff Kaliss in issue: May/2024
These tunes are steeped in sadness, arriving from Anatolia, Georgia and Armenia, the homelands of each band member. This is...
Reviewed by Martin Longley in issue: May/2024
Launching the Brighton-based label’s new Cuban Classic Series comes this curio from 1977, originally released on the Areito subsidiary of...
Reviewed by Mark Sampson in issue: January/February/2024
In Ze Early Morning is the second album of the nomadic artist iZem, who has become an expert in the...
Reviewed by François Renoncourt in issue: January/February/2024
Catrin Finch & Aoife Ní Bhriain
Catrin Finch continues to startle and amaze. Classically trained, and now surely the finest, best-known harpist in Britain, she has...
Reviewed by Robin Denselow in issue: December/2023
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