Reviews
Both Sides of the Aegean
Hüsnü Senlendirici & Trio Chios
Hüsnü Şenlendirici is Turkey's big clarinet star, famed for his glitzy virtuoso style and, unfortunately, a tendency for saccharine arrangements...
Reviewed by Simon Broughton in issue: Nov/Dec/2010
Aavartan – Dawn to Dusk
Kala Ramnath is both a traditionalist and an experimentalist in the Indian classical tradition. She is also quite simply one...
Reviewed by Simon Broughton in issue: Jan/Feb/2013
Šatrika
Čači Vorba is the name of the group, but it's vocalist and fiddler Maria Natanson who is the star of...
Reviewed by Simon Broughton in issue: March/2016
Flying into Mystery
Bowed but definitely not beaten by pandemic isolation, Moore responds with one of his finest offerings in years. Flying into...
Reviewed by Michael Quinn in issue: March/2022
The South African Meeting of Viramundo
After standing down as Brazil's minister of culture, the legendary singer Gilberto Gil undertook a southern hemisphere tour to Australia...
Reviewed by Nigel Williamso in issue: Apr/May/2014
On the Spot
The Hot 8 Brass Band have experienced more hard times than most of us can ever imagine: gun-toting gangs and...
Reviewed by Garth Cartwright in issue: May/2017
Navarasa: Nine Emotions
When the Scottish folk singer and guitarist James Yorkston, double bassist Jon Torne and the Indian sarangi maestro Suhail Yusuf...
Reviewed by Nigel Williamson in issue: March/2020
Mazes
On her second album, Mazes, Harri Endersby subtly blurs the line between traditional and contemporary folk music, with added birdsong...
Reviewed by Charlie Long in issue: April/2020
The Rough Guide to Flamenco
It is a huge challenge to do justice to an entire culture with a single CD. You have to decide...
Reviewed by Jo Setters in issue: October/2013
