Reviews
Funeral for Justice
Forget desert blues. Mdou Moctar insist they are a rock band, influenced by Jimi Hendrix and Van Halen as much...
Reviewed by Robin Denselow in issue: June/2024
Talitakum
Avalanche Kaito’s 2022 self-titled debut was a triumph of noise punk indelibly informed by griot music from Burkina Faso. Since...
Reviewed by Jim Hickson in issue: June/2024
Pull the Rope
Ibibio Sound Machine started out ten years ago with a self-titled album that matched gospel, West African styles and electronic...
Reviewed by Robin Denselow in issue: June/2024
Slack Your Horse
Goblin Band are a six-piece who coalesced around London’s Hobgoblin music shop. Their liner notes for this 30-minute set of...
Reviewed by Tim Cumming in issue: June/2024
Slåtter fra Gaupdalen IV (Tunes from the Lynx Valley IV)
Originally from Estonia, fiddle player Jüssi has spent much of her life travelling around the Nordic countries as well as...
Reviewed by Fiona Talkington in issue: June/2024
Ear to the Eye
Following on from last year’s compact, 22-minute Wild Wet World with its aquatic orchestra of sounds, comes a gargantuan 22-song...
Reviewed by Tim Cumming in issue: June/2024
Outliers
Jenny Sturgeon & Boo Hewerdine
The title of this collaboration between singer-songwriters Jenny Sturgeon and Boo Hewerdine encapsulates the lockdown experience in which it was...
Reviewed by Nathaniel Handy in issue: June/2024
Ayo Ke Disco: Boogie, Pop & Funk from the South China Sea (1974-88)
The fruit of an extensive archival project by Soundway Records label boss Alice Whittington (AKA DJ Norsicaa), Ayo Ke Disco...
Reviewed by Charlie Cawood in issue: December/2024
Sonic Talismans
Born of a 14-year collaborative partnership between Chinese avant-garde musicians Liang YiYuan and Li Daiguo, Sonic Talismans is the first...
Reviewed by Charlie Cawood in issue: December/2024
