Wooden flute and clarinet both have quite a history in Swedish music but have rarely, if ever, been heard together...
Reviewed by Kevin Bourke in issue: Aug/Sept/2013
Rob Young’s book Electric Eden [reviewed in #73] surveyed the British folk tradition in the 20th century and this double...
Reviewed by Tim Cumming in issue: Nov/Dec/2012
This Baden Powell is not to be mistaken with the British founder of the Boy Scouts Association who went by...
Reviewed by GonÇalo Frota in issue: Jan/Feb/2019
Mixing century-old traditional vocals with the latest sonic technology has always been an attractive yet dangerous musical venture. More often...
Reviewed by Marc Fournier in issue: April/2020
Karim Baggili is a Belgian-born composer, guitarist and oud (Arab lute) player of Jordanian/Yugoslavian heritage, which means that he has...
Reviewed by Bill Badley in issue: Apr/May/2014
Hailing from K’jipuktuk (Halifax), Nova Scotia, classically trained Ellen Gibling’s keen interest in Irish traditional music is given free rein...
Reviewed by Michael Quinn in issue: June/2022
It’s been ten years since Maga Bo released Quilombo do Futuro, his last solo full-length, and the sound hasn’t changed...
Reviewed by Russ Slater in issue: July/2022
Os opens with a familiar tune turned on its head. ‘See, the Conqu’ring Hero Comes!’, Handel's triumphant, war-celebrating melody becomes...
Reviewed by Tim Woodall in issue: March/2016
From the suspenseful orchestral arrangement and accordion drone that opens this diverse, deeply engaging album, it's obvious that this Turin-born...
Reviewed by Jon Lusk in issue: July/2015
This double album marks the 25th anniversary of the intriguing phenomenon known as The Ukrainians. The band formed almost by...
Reviewed by Simon Broughton in issue: November/2016
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