The typical Thai luk thung (often described as ‘country music’) shows of the 1970s were glitzy affairs with huge orchestras...
Reviewed by John Clewley in issue: Apr/May/2011
Hailing from Guapi on the Pacific Coast, but residing in Cali, Colombia, Xiomara Torres displays both her traditional roots and...
Reviewed by Jenna Mackle in issue: November/2022
Sweet as Broken Dates is a collection of Somali-language pop recorded in Somalia, Somaliland and Djibouti from the 1960s right...
Reviewed by Jim Hickson in issue: October/2017
Harp player and Milladoiro founder Rodrigo Romaní is one of the foremost exponents of Galician folk, playing a leading role...
Reviewed by Chris Moss in issue: Jan/Feb/2019
The Finnish a capella quartet Tuuletar made quite an impression with their first album Tules Maas Vedes Taivaal in 2016...
Reviewed by Simon Broughton in issue: October/2019
A pair of fascinating albums mining a fruitful seam of musical esoterica – the Algerian 45rpm vinyl releases of the...
Reviewed by Philip Sweeney in issue: Nov/Dec/2014
Three years ago I reviewed Amerli, by a collection of 20 instrumentalists and singers from Iraq, Syria, Pakistan, Afghanistan and...
Reviewed by Nigel Williamson in issue: Aug/Sep/2019
Jean-Luc Thomas is a Breton flute player who describes himself as ‘musician and traveller’; previous collaborations have brought him together...
Reviewed by Bill Badley in issue: May/2020
Pratibha Singh Baghel, Kavya Limaye, Deepak Pandit, The Budapest Symphony Orchestra
Ghazal and thumri are wonderful poetic sung genres from northern South Asia, emerging out of 19th-century courtesan and Muslim traditions...
Reviewed by Maria Lord in issue: May/2023
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