It's not often that an album comes along with an opening track so compelling it begs several listens before you...
Reviewed by Jane Cornwell in issue: December/2019
The ten seconds of ghostly harmonium that comprises this album's prelude comes courtesy of iconic French actor Denis Lavant (as...
Reviewed by Brendon Griffin in issue: October/2019
The Urban Folk Quartet have been a mainstay on the UK folk scene for a good while now, and there's...
Reviewed by Alex De Lacey in issue: Aug/Sep/2015
The Wau Wau Collectif was formed by Karl-Jonas Winqvist from Sweden with an eclectic group of 20 Senegalese contributors after...
Reviewed by Nigel Williamson in issue: December/2022
From the moment that the pounding album opener ‘IMF’ kicks in, it is clear that Seun Kuti has not only...
Reviewed by Edward Lander in issue: June/2014
Once in a while, an artist from the outside punches a dirty great hole through the usually impenetrable wall of...
Reviewed by Nige Tassell in issue: Jan/Feb/2012
The charm of Alice's second album, L’Oiseau Magnifique (The Magnificent Bird), lies in its simplicity. The songs are performed by...
Reviewed by Lucy Hallam in issue: May/2023
I did a double-take upon hearing that the world-fusion group Bokanté was planning a project with the Metropole Orkest. Already...
Reviewed by Alex De Lacey in issue: December/2018
Following releases on Glitterbeat Records in 2019 and 2020, here is another outstanding recording from the Pakistani master surti singer...
Reviewed by Maria Lord in issue: January/February/2022
Like a younger, slightly stroppier cousin to Celtic Connections’ Transatlantic Sessions, the Liverpool Irish Festival’s Irish Sea Sessions bring together...
Reviewed by Kevin Bourke in issue: March/2014
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