In contrast to the two previous albums by the Thai Elephant Orchestra, which featured human collaborators, this one, the last...
Reviewed by John Clewley in issue: July/2011
I hesitate to begin a review with the CD cover and the sleeve notes but two details here are key...
Reviewed by Julian May in issue: Aug/Sep/2012
It's been a long five years since the trio of singer Lucy Wright, fiddler Tom Kitching and one-man-band Edwin Beasant...
Reviewed by Nathaniel Handy in issue: June/2016
Wganda Kenya were a studio group of Colombian musicians created to offer a homegrown alternative to the increasingly-popular African and...
Reviewed by Russ Slater in issue: May/2022
Vinicius Cantuaria has been producing finely crafted, softly sung, smoky bossa nova records since he left Brazil for New York...
Reviewed by Alex Robinson in issue: July/2010
A beefy baritone sax hails the return of the little big band from Ottowa. Whatever they've done to that 8-track...
Reviewed by Mark Sampson in issue: Apr/May/2014
Brooklyn-based Red Baraat are an international, bhangra-infused version of the brass bands that accompany Indian weddings and festivals. Their latest...
Reviewed by Maria Lord in issue: October/2018
In the 1920s and early 30s the term ‘country music’ had yet to be invented, so any description applied to...
Reviewed by Kevin Bourke in issue: December/2019
The Paris-based Chinese erhu (two-string fiddle) virtuoso Guo Gan has undergone a prolific period lately, releasing albums of his own...
Reviewed by Charlie Cawood in issue: December/2015
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