Reviews
O’Neill's Tunes
Starting life as a book, it was inevitable that Dan Walsh would end up recording his dream project, O’Neill's Tunes....
Reviewed by Glenn Kimpton in issue: May/2023
White African Power
It's a bold and ambitious idea to enter an isolated community who have no experience of singing and ask them...
Reviewed by Martin Sinnock in issue: August/2017
The Vortex Sessions
Benjamim Taubkin & Adriano Adewale
For the past decade and a half, Benjamim Taubkin's São Paulo-based Núcleo Contemporàneo label has been quietly nurturing some of...
Reviewed by Brendon Griffin in issue: March/2013
You Etched Your Face in Mine
There seems to be a bit of a boom in the Hungarian folk scene right now, with some interesting new...
Reviewed by Simon Broughton in issue: Apr/May/2011
The Lions We Are
Dantchev:Domain | DANTCHEV:DOMAIN
Atmospheric and cinematic, The Lions We Are is a journey across spaces and sensations. Permeated by a playful experimentalism, this...
Reviewed by Celeste Cantor-Stephens in issue: August/September/2022
Ffiniau
Ffiniau is Welsh for ‘borders’ and harpist and singer Bethan Nia’s debut album explores the boundaries that exist between people,...
Reviewed by Tim Cumming in issue: October/2021
Benvinguts al Llarg Viatge
Catalan band Txarango have been hailed as the grupo revelación, or next big thing, in the Spanish press. Taking their...
Reviewed by Chris Moss in issue: March/2013
Jūrėse
With its New Agey, Celtic feel, at times Jūrėse (meaning ‘In the Lagoon’, referencing his home region) sounds almost like...
Reviewed by Fiona Mactaggart in issue: Jan/Feb/2020
