It's not ofen that the oboe takes the lead in any genre and its pinched tone can sometimes be too...
Reviewed by Mark Sampson in issue: June/2020
From the first moments of this compilation, it's impossible not to feel transported to another plane. The repetitive, hammering bass...
Reviewed by Russ Slater in issue: October/2019
Branches finds North Carolina fiddler and violinist Andrew Finn Magill confirming the promise of last year’s debut, Roots. The earlier...
Reviewed by Michael Quinn in issue: May/2017
Mamar Kassey is the working group name used by the musician Yacouba Moumouni (nicknamed Denké-Denké). The group is from Niger...
Reviewed by Martin Sinnock in issue: Jan/Feb/2014
Portland, Oregon's self-described ‘little orchestra’ Pink Martini are augmented once again by the Harvey Rosencrantz Orchestra (who featured on their...
Reviewed by Jon Lusk in issue: March/2017
Mercedes Peón is an enormous talent who has taken creative risks with each of her albums, boldly merging the experimental...
Reviewed by Jan Fairley in issue: March/2011
This extraordinary collection of Yiddish theatre songs, produced by Julian Futter and Mike Aylward, is the outcome of a ten-year...
Reviewed by Helen Beer in issue: October/2014
Released in 2007, this album is hailed by many as Simpson's finest hour. Recorded at the Pure Studio the year...
Reviewed by Tim Cumming in issue: May/2019
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