Originally developed during an Australian Art Orchestra residency in remote Tasmania, the Hand To Earth ensemble creatively established itself in...
Reviewed by Seth Jordan in issue: September/2025
The much-missed group SsingSsing was the vehicle that brought Lee Heemoon to international fame, a genre-blending, gender-bending kaleidoscopic take on...
Reviewed by Keith Howard in issue: September/2025
Hamid Motebassem and George Crotty Trio
This collaborative album is born of a musical meeting at Toronto's Experimental Link Series event. The series focuses on celebrating...
Reviewed by Nathaniel Handy in issue: September/2025
Jawaya Jathum translates as ‘The Guitarist and The Music Lover’, these being Polycarp Otieno (aka Fancy Fingers) and sweetly soulful...
Reviewed by Nigel Williamson in issue: August/2025
Originally released in 1976, Danger fuses Afrobeat, funk and psychedelic soul with biting political and social commentary sweetly delivered through...
Reviewed by Lucy Hallam in issue: August/2025
In the West, the third full-length release from Gabrielle Macrae (fiddle, guitar, bass, vocals) and Barry Southern (banjo, guitar, dobro,...
Reviewed by Doug Deloach in issue: August/2025
Love – or rather, ‘LUV’ – is the operative word and it’s hard not to be enchanted (or occasionally irritated)...
Reviewed by Mark Sampson in issue: August/2025
Jason Dea West & The Siskiyou Crest
Boasting a backstory that includes younger days as a busker and freight train hopper, as well as working the circus...
Reviewed by Kevin Bourke in issue: August/2025
Majid Bekkas with Nguyên Lê, Hamid Drake
Gimbri and oud player Bekkas, guitarist Lê and drummer Drake: each has an extensive CV of collaboration through and between...
Reviewed by Jim Hickson in issue: August/2025
Led by Persian tar virtuoso and composer Hamed Sadeghi, Sydney-based jazz quartet Eishan Ensemble return with their fourth album –...
Reviewed by Charlie Cawood in issue: August/2025
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