‘Ten years without Compay Segundo,’ says the sticker on the album cover, which is a slightly odd marketing slogan for...
Reviewed by Nigel Williamson in issue: Nov/Dec/2013
Kicking off with a fiery, drum-pounding reel courtesy of Jerry Holland (‘Brenda Stubbert’s Reel’) and closing with the rather spooky...
Reviewed by Billy Rough in issue: November/2022
When Sun Ra dared to knock on the door of the cosmos in 1979 whoever let him in didn’t close...
Reviewed by Simon Cross in issue: November/2020
¡Ay!, the seventh solo release from Colombian-born, Berlin-based musician and producer Lucrecia Dalt, is an album of twin concepts. The...
Reviewed by Olivia Cheves in issue: November/2022
The best tracks on British singer and banjo player Dan Walsh's previous album, The Same but Different, were its solo...
Reviewed by Tim Woodall in issue: Apr/May/2015
You’ll find slapped bass, synthesizers and even (whisper it) synth-drums on this reissue. But you’ll also find memorable compositions, soaring...
Reviewed by Mark Sampson in issue: June/2013
Luciano Biondini & Klaus Falschlunger
There’s such a tremendous energy, vibrancy and immediacy in this new global fusion album, Once in a Blue Moon. Austrian...
Reviewed by James Roriston in issue: Aug/Sep/2021
Like the ancient Hungarians who migrated from the Urals to the banks of the Danube, Kerekes Band have been on...
Reviewed by Tommie Black-Roff in issue: November/2016
There are few more reliable guarantees of quality in any form of contemporary music than if the name Kronos appears...
Reviewed by Nigel Williamson in issue: July/2017
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