Reviews
Danças de Porto de Mós
Danças de Porto de Mós tells only half the story. The first album by Aire collects 16 new renditions of...
Reviewed by GonÇalo Frota in issue: April/2022
Roraima
Sigurd Hole’s previous album was a solo double bass exploration into the environment and atmospheres of his native Norway. Now...
Reviewed by Jim Hickson in issue: June/2022
Palabras Urgentes
At 77 years old, Baca has never sounded better; her voice has lost none of its dynamism and the careful...
Reviewed by Russ Slater in issue: November/2021
Esa Flor
A few years ago, Adan Pedroso and Asere, the group he founded, created the beautiful ‘Romántica’, a love song that...
Reviewed by Jan Fairley in issue: March/2010
Noongar Wonderland
Maatakitj (pronounced ‘mart-a-key-tch’ and translated as ‘long legs like a spear’) is the nickname of West Australian musician Clint Bracknell,...
Reviewed by Seth Jordan in issue: October/2022
Shake the Chains
The Shake the Chains protest-song project (featured in #125) was conceived by English folk singer Greg Russell after his university...
Reviewed by Nathaniel Handy in issue: November/2017
El Valle de la Infancia
A son, a brother and a nephew join Argentinian bandoneón (squeezebox) virtuoso Dino Saluzzi for this latest offering from the...
Reviewed by Chris Moss in issue: Aug/Sep/2014
Saturday Morning in Boston
The fluidity, sonic beauty and musical interplay exhibited on this record leaves little to suggest that this album was recorded...
Reviewed by Douglas Macgregor in issue: March/2021
Black Atlantica Edits
Daniel Haaksman sees himself as somewhat of an auteur when it comes to music from across the globe. The Berlin-based...
Reviewed by Alex De Lacey in issue: July/2020
Retribution
Tanya Tagaq's music somehow manages to feel completely out of this world, and at the same time deeply plugged into...
Reviewed by Merlyn Driver in issue: Jan/Feb/2017
