Reviews
Aguas
Pitched somewhere between ambient, jazz and Latin lounge, this collaborative album works quietly and slowly, pianist Omar Sosa building spacious...
Reviewed by Chris Moss in issue: Jan/Feb/2019
Viva Africando
I don’t know if anybody makes serious money out of the Africando operation, but apart from its musical excellence, the...
Reviewed by Philip Sweeney in issue: Nov/Dec/2013
Anatolian Dances
It is interesting to see and hear how Turkish wedding dances have changed over the years. From slow and decorous...
Reviewed by Robert Rigney in issue: November/2021
Félix Lajkó & Vołosi
The opening of this album sounds like you've stumbled into an astonishing cadenza in the middle of a violin concerto....
Reviewed by Simon Broughton in issue: November/2019
Live at the BBC
Richard Thompson & Linda Thompson
Richard Thompson fans require deep pockets. This is not the first box-set to concentrate on the man's extensive oeuvre, and...
Reviewed by Tim Cumming in issue: Aug/Sep/2011
Maya Maya
Hailing from Gao and living in Bamako, Oumar Konaté is part of a new generation of young Malian artists making...
Reviewed by Jim Hickson in issue: May/2016
Holy Colony: Burning Acres
New Zealand Māori singer Troy Kingi has an ambitious idea of recording ten albums over ten years in ten different...
Reviewed by Seth Jordan in issue: Jan/Feb/2020
Beautiful Africa
We have come to expect a lot from young Malian pop-rock singer Rokia Traoré, who surprised the world with her...
Reviewed by Rose Skelton in issue: Apr/May/2013
The Divine Abstract
If the sonic right hook that begins ‘Shringara’ indicates the depth of this debut from Londoner Cawood, then the pretty...
Reviewed by Glenn Kimpton in issue: April/2018
