Seasoned producer and performer of what he describes as ‘folk/roots/labour and protest music,’ George Mann is a former union organiser...
Reviewed by Doug Deloach in issue: April/2022
The National Library of Norway is extremely good at archiving historical recordings and making their collections available for wider listening....
Reviewed by Fiona Talkington in issue: July/2021
Born in Tehran in 1983, Saba Alizadeh is a virtuoso of the Iranian kamancheh (spike fiddle). With an extensive background...
Reviewed by Charlie Cawood in issue: April/2019
This is the strong follow-up to The Crowing from the Brighton quartet composed of alt-folk artist Jinnwoo, folk duo Hickory...
Reviewed by Tim Cumming in issue: Jan/Feb/2020
There has always been an eclectic tinge, and a flair for the complex and wildly virtuosic in Russian jazz. This...
Reviewed by Kim Burton in issue: Nov/Dec/2012
It is telling that Cristina Clara was a regular at Tejo Bar, a tiny spot in Lisbon’s historical quarter of...
Reviewed by GonÇalo Frota in issue: January/February/2022
The Rough Guide to Un dis cove red World is a showcase compilation. It is the CD companion to record...
Reviewed by Nathaniel Handy in issue: Nov/Dec/2012
Colombia's Bomba Estéreo surprised everyone with the lead single from their second album. Gone was the pounding electro-carnival thrum of...
Reviewed by Russ Slater in issue: March/2013
The latest instalment of EM Records' archive series focuses on a single piece by Japanese composer Kohei Amada (1892-1985). A...
Reviewed by Charlie Cawood in issue: July/2019
From spicy semba to the hip club beats of kuduro, it is the urban music styles of Angola that are...
Reviewed by Jim Hickson in issue: Apr/May/2014
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