It would be easy to lump Rahul Mukerji's fusion guitar music in with the tradition of John McLaughlin, but nothing...
Reviewed by Amardeep Dhillon in issue: November/2017
He may not be a huge name in the world of reggae, but Linval Tompson is much more than a...
Reviewed by Russ Slater in issue: March/2020
Mahsa Vahdat & Coskun Karademir
A while ago, the Secret Ensemble from Istanbul invited Iranian singer Mahsa Vahdat to make a recording, the critically acclaimed...
Reviewed by Neil van der Linden in issue: March/2018
I was lucky enough to be at a concert given by the accordionist Antti Paalanen at the Sibelius Academy in...
Reviewed by Fiona Talkington in issue: Apr/May/2011
Independent label No Wahala Sounds emerged five years ago, releasing limited-edition vinyl reissues of little-known African gems. Now the label...
Reviewed by David Katz in issue: March/2020
What does it take to work wonders with small things? Try taking a reverential approach to American folk music, taking...
Reviewed by Jeff Kaliss in issue: May/2016
Every slick studio release Baaba Maal puts on the market tends to prompt someone to release some unmixed, live or...
Reviewed by Katharina Lobeck Kane in issue: Nov/Dec/2010
The second album from Wouter en de Draak (Wouter and the Dragon) is a timely reminder of the beauty of...
Reviewed by Tommie Black-Roff in issue: October/2021
A 1975 release on the Essiebons label from Ghana, this is an album of occasionally funky but mostly sweet highlife,...
Reviewed by Alastair Johnston in issue: Jan/Feb/2013
Released in 1973, Like a Bolt gathered recordings the great Jamaican singer John Holt had made for Duke Reid's Treasure...
Reviewed by Garth Cartwright in issue: May/2019
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