Reviews
Mezclatotäl
The one thing you cannot accuse Komasi of is a lack of ambition. Respectively from France, Burkina Faso and Chile,...
Reviewed by Russ Slater in issue: June/2021
The Broken Tongue
Daniel Kahn & The Painted Bird
The much talked-about Yiddish revival has one of its most eloquent advocates in the American accord¬ionist and Berlin resident, Daniel...
Reviewed by Lemez Lovas in issue: Aug/Sep/2010
A Universe That Roasts Blossoms for a Horse
The first track on Širom's A Universe that Roasts Blossoms for a Horse sounds like an intro to an adventurous...
Reviewed by Agnieszka Ujma in issue: November/2019
Norwegian Oud
Yinon Muallem | Yinon Muallem & Guy Mintus
Conceived and recorded throughout the COVID-19 pandemic, Norwegian Oud is the latest album from oud player, percussionist, and composer Yinon...
Reviewed by Charlie Cawood in issue: October/2021
Spirit of Love
COB is the abbreviation of Clive’s Original Band though Cob, as the trio was sometimes called, is apt. Cob is...
Reviewed by Julian May in issue: July/2021
Nick Hart Sings Nine English Folk Songs
With a Ronseal matter-of-factness, this second album from Cambridgeshire folk singer Nick Hart does exactly what it says on the...
Reviewed by Nathaniel Handy in issue: July/2019
Our Latin Thing
This special edition package celebrates the 40th anniversary of a very special night. On Thursday August 26 1971, the stellar...
Reviewed by Mark Sampson in issue: Jan/Feb/2012
Tender Blues
Yoshio Machida plays the steel pan, but those expecting to hear a Japanese-influenced answer to the steel band music of...
Reviewed by Robin Denselow in issue: December/2016
Accordion in Americas
The poor squeezebox – if it's not a busker on autoplay, it's an off-the-peg cumbia band or a Seine-spoiling cliché-churner....
Reviewed by Chris Moss in issue: June/2016
SOAR
Here, at last, is the long-awaited new album from that remarkable duo, the classically trained Welsh harpist Catrin Finch and...
Reviewed by Robin Denselow in issue: May/2018
