Reviews
Tropidelicos
From Houston, Texas, will you welcome please… guitarist Gio Alejandro and percussionist Coffee Guzman. Add the cheesy synthesised organ of...
Reviewed by Mark Sampson in issue: January/2026
A Body Like a Home
Following acclaimed collaborations with Laura Robles and Titi Bakorta, Peruvian experimentalist Alejandra Cárdenas, aka Ale Hop, takes a more solipsistic...
Reviewed by Olivia Cheves in issue: January/2026
The Jackdaw Sessions
Rising from the ashes of the legendary Moishe’s Bagel, Triptic (Greg Lawson on fiddle, Mario Caribé on double bass and...
Reviewed by Billy Rough in issue: January/2026
Tiny Little Light
Mikey Kenney’s dexterous fiddle playing has long been coveted by folk musicians from across the world. But his songwriting, formerly...
Reviewed by Sophie Parkes in issue: January/2026
Memories of Magic – Mahō no Kioku
The first few tracks on this album are a red herring. The soft, cinematic tinkling of ‘Alchemy’ and the somewhat...
Reviewed by Rosie Esther Solomon in issue: January/2026
Rumba Africa
Emerging from the Congo, and flourishing even during that painful era when the country was renamed Zaire, African rumba became...
Reviewed by Robin Denselow in issue: February/March/2026
Cavejaz
Fabiano Do Nascimento | Fabiano do Nascimento
Nascimento is a Brazilian-American guitarist, who performs on a range of multi-string, variously tuned, nylon string guitars. Cavejaz is split...
Reviewed by Andy Cumming in issue: February/March/2026
Further From the Country
With a deep, slightly burred voice and deadpan delivery, Canadian First Nations singer-songwriter William Prince has always grounded his art...
Reviewed by Devon Léger in issue: February/March/2026
Poravna
In the English speaking world Vesna Pisarović might not be an household name, but in the post-Yugoslavian pop music scene...
Reviewed by Francesco Martinelli in issue: February/March/2026
