Reviews
Coming Home
Ghanaian highlife appears to be regaining its popularity of late, and those who witnessed Pat Thomas at WOMAD in July...
Reviewed by Martin Longley in issue: November/2016
Sodjan
If ngoni virtuoso Makan Badje Tounkara looks like he might be out to cash in on Bassekou Kouyaté's extraordinary success...
Reviewed by Mark Hudson in issue: Apr/May/2012
O Método
Since he left Madredeus in 1994, Rodrigo Leão has established himself as a masterful songwriter, working on a sort of...
Reviewed by GonÇalo Frota in issue: June/2020
Neon Colonialismo
It's ten years since musical free radical Batida, aka Pedro Coquenão, exploded into my dance floor set with his Batida...
Reviewed by Max Reinhardt in issue: December/2022
In Concert
Kartik Seshadri & Anindo Chatterjee
Kartik Seshadri is probably the best sitar player of his generation and is considered a leading exponent of this most...
Reviewed by Jameela Siddiqi in issue: March/2010
Nedaye Asemani
The spiritual but contagious excite¬ment that we have come to associate with Iranian classical music is abundantly present on this...
Reviewed by Neil van der Linden in issue: Jan/Feb/2011
Ablaye Ndiaye Thiossane
If you thought the comeback of Orchestra Baobab was heart– warming, the debut solo album of Ablaye Ndiaye Thiossane will...
Reviewed by Nigel Williamson in issue: Apr/May/2012
A Pilgrim's Tale
This year sees the 400th anniversary of the Mayflower setting sail with 102 passengers, mostly religious refugees, for a new...
Reviewed by Julian May in issue: April/2020
Where’s the One?
Kinshasa’s Congotronic axis meet chosen international artists and create an epic, euphoric mash-up celebrating the tenth anniversary of a historic...
Reviewed by Max Reinhardt in issue: June/2022
