Reviews
It's Still Autumn
Kayhan Kalhor & the Rembrandt Frerichs Trio
The collaboration between Iranian kamancheh spike-fiddle master Kayhan Kalhor and the Dutch baroque-jazz ensemble Rembrandt Frerichs Trio has been a...
Reviewed by Jim Hickson in issue: Aug/Sep/2019
The Fallen Angel's Unravelling Descent
Avital Raz is a bravely original singer-songwriter with an intriguing history. Born in Jerusalem where she sang classical music as...
Reviewed by Robin Denselow in issue: July/2017
Home
Sushma Soma with Aditya Prakash
Forest fires create an ashen, black landscape in the Amazon. Over in India, an elephant stumbles across a pineapple, begins...
Reviewed by James Scott Roriston in issue: July/2022
Vida-Código
For Vida-Código -his fourth album and his third on the Swedish Ajabu! label – Tiganá Santana presents very little of...
Reviewed by Mark Sampson in issue: April/2020
Y’Anbessaw Tezeta
What a delight this new collaboration between Ethiopian saxophone legend Getatchew Mekuria and The Ex proves to be. Showcasing something...
Reviewed by Chris Menist in issue: Jan/Feb/2013
Ramblin' Soul
Count this as a lucky ramble in Melissa Carper's beloved Dodge van (the subject of one of her 11 original...
Reviewed by Jeff Kaliss in issue: April/2023
Lebanon Elevator
Kamel Nitrate are to all intents and purposes a fusion band, mixing funk, trip-hop and Arab drum styles. Unfortunately, the...
Reviewed by Yousif Nur in issue: April/2018
White Light: The Space Between
O/Modernt, which translates as ‘unmodern’, is the conceptual brainchild of British-born violinist Hugo Ticciati. On White Light: The Space Between,...
Reviewed by Merlyn Driver in issue: July/2018
Até ao Fim
Até ao Fim marks a turning point in Guerreiro's career. But fear not: she's not quit fado. She's not exactly...
Reviewed by GonÇalo Frota in issue: Apr/May/2015
