Reviews
Vida-Código
For Vida-Código -his fourth album and his third on the Swedish Ajabu! label – Tiganá Santana presents very little of...
Reviewed by Mark Sampson in issue: April/2020
Y’Anbessaw Tezeta
What a delight this new collaboration between Ethiopian saxophone legend Getatchew Mekuria and The Ex proves to be. Showcasing something...
Reviewed by Chris Menist in issue: Jan/Feb/2013
Ramblin' Soul
Count this as a lucky ramble in Melissa Carper's beloved Dodge van (the subject of one of her 11 original...
Reviewed by Jeff Kaliss in issue: April/2023
Lebanon Elevator
Kamel Nitrate are to all intents and purposes a fusion band, mixing funk, trip-hop and Arab drum styles. Unfortunately, the...
Reviewed by Yousif Nur in issue: April/2018
White Light: The Space Between
O/Modernt, which translates as ‘unmodern’, is the conceptual brainchild of British-born violinist Hugo Ticciati. On White Light: The Space Between,...
Reviewed by Merlyn Driver in issue: July/2018
Até ao Fim
Até ao Fim marks a turning point in Guerreiro's career. But fear not: she's not quit fado. She's not exactly...
Reviewed by GonÇalo Frota in issue: Apr/May/2015
Mantra Sessions
From the first track, as a free-blowing tenor sax solo jostles with a Hindu peace incantation over an ngoni (African...
Reviewed by Liam Izod in issue: May/2016
Live at the Grand Pavilion
The Welsh six-piece Mabon may not be well known on the English side of the border. It’s as if there’s...
Reviewed by Tim Cumming in issue: Jan/Feb/2011
Cladaich Loch Iù
Cladaich Loch Iù marks the debut of Gaelic singer and West Coast native Steven MacÌomhair and a pleasant enough, if...
Reviewed by Billy Rough in issue: April/2020
