On his previous album, 2020’s Zarb-e Osul, Montreal-based percussionist Ziya Tabassian demonstrated his mastery of ancient Persian rhythmic cycles known...
Reviewed by Charlie Cawood in issue: January/February/2024
The thought of a duo comprising nothing more than fiddle and mandolin made me doubtful. Surely these instruments have a...
Reviewed by Tony Gillam in issue: January/February/2024
Given that Afrobeat was born out of a creative culture clash – funk meeting highlife for a riotous party –...
Reviewed by Simon Cross in issue: April/2024
Cuban music contributes to, and absorbs, myriad musics from across Latin America, the Caribbean and the US. It has also...
Reviewed by Chris Moss in issue: April/2024
The luminous joy of the dance on the album cover — set at the landmark Van Horne viaduct in Montréal...
Reviewed by Jeff Kaliss in issue: April/2024
The Río de la Plata has a long tradition of meditative guitar music. It’s informed by the mestizo traditions of...
Reviewed by Chris Moss in issue: April/2024
In 2017 Swedish viola d’amore player Anna Ekborg Hans-Ers started to realise her dream of establishing a string trio grounded...
Reviewed by Kevin Bourke in issue: April/2024
Thanos Stavridis & Stella Tempreli
Tales from the Box is a collaboration between accordionist Thanos Stavridis and cellist Stella Tempreli. This debut from the duo...
Reviewed by Nathaniel Handy in issue: April/2024
Slaves from present-day Nigeria, Benin and Togo brought Candomblé to Bahia (Brazil) where it thrived, developing into Afro-Brazilian ceremonies performed...
Reviewed by Andy Cumming in issue: May/2024
A little more than a century after the 19th Amendment to the US Constitution secured American women the right to...
Reviewed by Doug Deloach in issue: May/2024
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