This album is a double dedication, firstly to the 15th-century Sufi poetry of Jami, and secondly to the qawwali master...
Reviewed by Maria Lord in issue: June/2024
One could hardly accuse Georgian singer-songwriter Tamada of lacking in ambition on this, his second album, which he organises around...
Reviewed by Fred Waine in issue: November/2024
Andrade’s last record, Manga (2019), was a deep dive into the contemporary African pop music scene. reEncanto, a live acoustic...
Reviewed by GonÇalo Frota in issue: December/2024
In #197, I reviewed a reissue of Opa’s abortive first album. With Airto Moreira, the Uruguayan Fattoruso brothers re-recorded for...
Reviewed by Mark Sampson in issue: December/2024
No qualms about this. Craft’s latest Fania reissue is a certifiable classic – or as near as damn it. The...
Reviewed by Mark Sampson in issue: December/2024
The opening sound bite of Terceiro Mundo, ‘EntreMundos’, refers back to the São Paulo group’s 2017 second album of the...
Reviewed by Mark Sampson in issue: December/2024
Bridget & Kitty/Resonant Bodies
Betwixt & Between Tapes is a quirky, niche proposition: an occasional series of cassette tape EPs featuring traditional, improvised and...
Reviewed by Tony Gillam in issue: December/2024
Becoming leader of Egypt 80, his legendary father Fela’s band, at the tender age of 14, Seun Kuti has always...
Reviewed by Andrew Taylor-Dawson in issue: November/2024
Daniel Misiani came to the attention of non-Kenyans in the late 80s with two albums released in the UK that...
Reviewed by Alastair Johnston in issue: October/2010
Bands with numerous members have a certain attraction, often making you wish you were part of their line-up: The Pogues...
Reviewed by Nige Tassell in issue: June/2010
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