Folk music speaks to the tradition of a place, and carries a deeply personal expression. Norwegian violinist Hannisdal is schooled...
Reviewed by Fiona Talkington in issue: February/March/2026
This Belgian quartet are named after the Federico García Lorca sonnets that form the verbal heart of this repertoire. The...
Reviewed by Martin Longley in issue: February/March/2026
Originally formed in 1983 as a duo, Australian band Not Drowning, Waving was created by classically-trained keyboardist-composer-producer David Bridie and...
Reviewed by Seth Jordan in issue: January/2026
Following a recent WOMEX showcase, 3PEOPLEMUSIC, a Taiwanese trio of traditional instruments – zither (guzheng), moon lute (zhongruan) and flutes...
Reviewed by Keith Howard in issue: February/March/2026
Sikh founder Guru Nanak’s retinue included a Muslim rabab (Afghan lute) player. Inspired by this, Sangat makes a pitch for...
Reviewed by Liam Izod in issue: January/2026
Chiefly now remembered – if at all – for his 1930s work with Tommy Johnson, here Roosevelt Holts proves himself...
Reviewed by Paul Slade in issue: April/2026
Tournivelle, the second release by La Cuivraille since the band’s founding by violinist Gabriel Lenoir in 2014, showcases a refinement...
Reviewed by Duog DeLoach in issue: April/2026
Currently based in Estonia, British guitarist and ethnomusicologist Stuart Ironside is a graduate of SOAS who blends his classical technique...
Reviewed by Charlie Cawood in issue: April/2026
Welsh instrumentalist Huw Marc Bennett’s new album, Heol Las, cuts a refreshingly fine dash. Taking traditional melodies from South Wales...
Reviewed by Billy Rough in issue: April/2026
Emerging from Cairo’s experimental underground, Mi3raj is a duo comprising poet/vocalist Mohamed Tarek Moussa and producer/muti-instrumentalist Abdelrahman Shaat. Their hypnotically...
Reviewed by Daniel Spicer in issue: April/2026
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