Aeham Ahmad meets Edgar Knecht
This is an album with quite a story behind it. The Syrian musician Aeham Ahmad played piano in the refugee...
Reviewed by Jo Setters in issue: June/2018
Big, brassy, bold and Bollywood, The Bombay Royale do not hold back. Run Kitty Run, the Melbourne 11-piece's third studio...
Reviewed by Tim Woodall in issue: March/2018
Jazz had Miles Davis, rock had Jimi Hendrix, and tsapiky – the frantic, guitar-driven music from Toliara, Madagascar – has...
Reviewed by Lucy Hallam in issue: June/2020
The adventurous Valencia-based Sardinian composer sets sails navigating on Mediterranean routes after his critically-admired album Jar’a, which appeared to be...
Reviewed by Ciro De Rosa in issue: October/2022
Part of the original series that helped launch London's Greensleeves record label, the 1978 album Stop Yu Loafin has only...
Reviewed by Clyde Macfarlane in issue: Aug/Sept/2013
With one foot in Scotland, the other in Austria and a few other limbs in Sweden and Vienna, Black Market...
Reviewed by Billy Rough in issue: Jan/Feb/2018
Ferhat Tunç's latest album is nicely packaged, with the songs competently translated into English. If you are unfamiliar with the...
Reviewed by Martin Stokes in issue: October/2016
This album has nothing, as far as one can tell, to do with the town on the Caspian Sea or...
Reviewed by Peter Culshaw in issue: July/2013
On her debut album, Aberystwyth-born Georgia Ruth plays harp, piano, reed organ and bells, and her band features multiple guitars,...
Reviewed by Tim Cumming in issue: October/2013
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