Firstly (as he must surely be heartily sick of hearing by now), this Colin Farrell is not the famously rowdy...
Reviewed by Kevin Bourke in issue: Nov/Dec/2011
Herbie Hancock was reputedly knocked out by Benin-born Lionel Loueke's guitar playing. It is indeed something special. On ‘Guira’, he...
Reviewed by Mark Sampson in issue: March/2019
Amkoullel's Mali is a little different to the West African country of koras and calabashes, Toumanis and Djelimadys, percussion ensembles,...
Reviewed by Jane Cornwell in issue: October/2011
The four-CD Simply Zouk, compiled by veteran DJ John Armstrong, charts the development of the French Antillean genre from its...
Reviewed by Charles De Ledesma in issue: March/2015
Zampogna, the Italian double-chantered pipe, still livens up secular and religious festivities alike in southern Italy. Traditional musicians and revivalists...
Reviewed by Ciro De Rosa in issue: Aug/Sep/2012
This is a charming glimpse into a vanished era of Egyptian music. The 30 years following the Cairo Conference of...
Reviewed by Bill Badley in issue: Jan/Feb/2016
It’s easy to forget Hijos de Agüeybaná are from Puerto Rico. Their sound recalls the percussive rhythms and call-and-response patterns...
Reviewed by Russ Slater in issue: Jan/Feb/2013
This album is the result of the meeting of two female exponents of a tradition known as the aşık (in...
Reviewed by Francesco Martinelli in issue: August/2017
This is a sprawling double album from the highly cosmopolitan and experimental Tunisian-born, New York-based singer-songwriter Emel. Hot on the...
Reviewed by Nathaniel Handy in issue: March/2021
When Masekela arrived in New York in the early 1960s, his fellow trumpeter Miles Davis took the exile to one...
Reviewed by Nigel Williamson in issue: Aug/Sep/2018
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